The meeting at Il Posto Documentos confirmed that Ramírez’s work is, as Szmulewicz said, ‘a work that has a very unique poetic, visual, investigative and installation approach compared to what had been seen in Chilean art from the late 1980s to the 2000s.’ It is, in effect, a work that emotionally engages the viewer, enveloping them with images and sounds to address themes that had previously been treated in a more detached manner, such as memory, politics, recent history and human rights.

During the conversation, the guests reflected at length on four of the artist’s projects: “Ocean”, “Incerteza”, “Dos brillos blancos agrupados y giratorios” (Two grouped and rotating white glows) and “Jusque-la”.