1.0IL Postohttps://www.ilposto.cl/en/Josefina Lewinhttps://www.ilposto.cl/en/author/josefina/rich600338<blockquote class="wp-embedded-content" data-secret="GfDTPpphPZ"><a href="https://www.ilposto.cl/en/video/entrevista-a-voluspa-jarpa/">Interview with Voluspa Jarpa</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.ilposto.cl/en/video/entrevista-a-voluspa-jarpa/embed/#?secret=GfDTPpphPZ" width="600" height="338" title="“Interview with Voluspa Jarpa” — IL Posto" data-secret="GfDTPpphPZ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.ilposto.cl/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Since October 1, the second part of the exhibition “Y de pronto ya no había más orilla” (And suddenly there was no more shore) has been on display at the Il Posto Gallery. The exhibition attempts to explore the concepts of wet and dry, water and desert, based on various works from the Il Posto Collection. On the occasion of this exhibition, the director of Il Posto Documentos, Antonio Echeverría, spoke with Voluspa Jarpa about her work “Bandera Eriazo - First person plural” (1999), which is part of the exhibition.