{"version":"1.0","provider_name":"IL Posto","provider_url":"https:\/\/www.ilposto.cl\/en\/","author_name":"admin","author_url":"https:\/\/www.ilposto.cl\/en\/author\/admin\/","title":"\"Works 1969 \u2013 2017\" documentary. Part III - IL Posto","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ubmUDuBkMM\"><a href=\"https:\/\/www.ilposto.cl\/en\/video\/eugenio-dittborn-retornar-mia-inconcluso-concluso-diagonal\/\">&#8220;Works 1969 \u2013 2017&#8221; documentary. Part III<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ilposto.cl\/en\/video\/eugenio-dittborn-retornar-mia-inconcluso-concluso-diagonal\/embed\/#?secret=ubmUDuBkMM\" width=\"600\" height=\"338\" title=\"&#8220;&#8220;Works 1969 \u2013 2017&#8221; documentary. Part III&#8221; &#8212; IL Posto\" data-secret=\"ubmUDuBkMM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ilposto.cl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"On the occasion of visual artist Eugenio Dittborn's exhibition at Il Posto in 2018, critic and art historian Ana Maria Risco talks with the artist about his works \u201cRetornar (mia)\u201d (1993), \u201cInconcluso \/ Concluso\u201d (1987), and \u201cDiagonal\u201d (1987)."}