{"id":5458,"date":"2023-03-27T18:59:24","date_gmt":"2023-03-27T21:59:24","guid":{"rendered":"https:\/\/www.ilposto.cl\/colaborador\/miguel-a-lopez\/"},"modified":"2025-11-26T11:21:57","modified_gmt":"2025-11-26T14:21:57","slug":"miguel-a-lopez","status":"publish","type":"colaborador","link":"https:\/\/www.ilposto.cl\/en\/colaborador\/miguel-a-lopez\/","title":{"rendered":"Miguel A. L\u00f3pez"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Miguel A. L\u00f3pez (Lima, 1983) is a writer, researcher, and independent curator. Between 2015 and 2020, he worked as chief curator and then as co-director of TEOR\/\u00e9Tica, Costa Rica. His practice focuses primarily on collective processes, experimental art, feminist art, and themes of gender and sexuality as they relate to processes of political memory. He is the author of Robar la historia, Contrarrelatos y pr\u00e1cticas art\u00edsticas de opuesto (2017), Ficciones disidentes en la tierra de la misoginia (2019), among others. He curated the retrospective exhibition \u201cCecilia Vicu\u00f1a: Ver el fracaso iluminado,\u201d recently presented at the Banco de la Rep\u00fablica, Colombia.<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"class_list":["post-5458","colaborador","type-colaborador","status-publish","hentry"],"acf":[],"yoast_head":"\nMiguel A. L\u00f3pez - IL Posto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ilposto.cl\/en\/colaborador\/miguel-a-lopez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miguel A. L\u00f3pez - IL Posto\" \/>\n<meta property=\"og:description\" content=\"Miguel A. L\u00f3pez (Lima, 1983) is a writer, researcher, and independent curator. Between 2015 and 2020, he worked as chief curator and then as co-director of TEOR\/\u00e9Tica, Costa Rica. His practice focuses primarily on collective processes, experimental art, feminist art, and themes of gender and sexuality as they relate to processes of political memory. He is the author of Robar la historia, Contrarrelatos y pr\u00e1cticas art\u00edsticas de opuesto (2017), Ficciones disidentes en la tierra de la misoginia (2019), among others. He curated the retrospective exhibition \u201cCecilia Vicu\u00f1a: Ver el fracaso iluminado,\u201d recently presented at the Banco de la Rep\u00fablica, Colombia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ilposto.cl\/en\/colaborador\/miguel-a-lopez\/\" \/>\n<meta property=\"og:site_name\" content=\"IL Posto\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-26T14:21:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ilposto.cl\/en\/colaborador\/miguel-a-lopez\/\",\"url\":\"https:\/\/www.ilposto.cl\/en\/colaborador\/miguel-a-lopez\/\",\"name\":\"Miguel A. 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L\u00f3pez (Lima, 1983) is a writer, researcher, and independent curator. Between 2015 and 2020, he worked as chief curator and then as co-director of TEOR\/\u00e9Tica, Costa Rica. His practice focuses primarily on collective processes, experimental art, feminist art, and themes of gender and sexuality as they relate to processes of political memory. He is the author of Robar la historia, Contrarrelatos y pr\u00e1cticas art\u00edsticas de opuesto (2017), Ficciones disidentes en la tierra de la misoginia (2019), among others. 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