{"id":5895,"date":"2022-10-01T14:29:10","date_gmt":"2022-10-01T17:29:10","guid":{"rendered":"https:\/\/www.ilposto.cl\/video\/entrevista-a-voluspa-jarpa\/"},"modified":"2025-11-04T10:52:32","modified_gmt":"2025-11-04T13:52:32","slug":"entrevista-a-voluspa-jarpa","status":"publish","type":"video","link":"https:\/\/www.ilposto.cl\/en\/video\/entrevista-a-voluspa-jarpa\/","title":{"rendered":"Interview with Voluspa Jarpa"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Since October 1, the second part of the exhibition \u201cY de pronto ya no hab\u00eda m\u00e1s orilla\u201d (And suddenly there was no more shore) has been on display at the Il Posto Gallery. The exhibition attempts to explore the concepts of wet and dry, water and desert, based on various works from the Il Posto Collection. On the occasion of this exhibition, the director of Il Posto Documentos, Antonio Echeverr\u00eda, spoke with Voluspa Jarpa about her work \u201cBandera Eriazo – First person plural\u201d (1999), which is part of the exhibition.<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"class_list":["post-5895","video","type-video","status-publish","hentry","videos_category-interview"],"acf":[],"yoast_head":"\nInterview with Voluspa Jarpa - IL Posto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ilposto.cl\/en\/video\/entrevista-a-voluspa-jarpa\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview with Voluspa Jarpa - IL Posto\" \/>\n<meta property=\"og:description\" content=\"Since October 1, the second part of the exhibition \u201cY de pronto ya no hab\u00eda m\u00e1s orilla\u201d (And suddenly there was no more shore) has been on display at the Il Posto Gallery. 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