location_on Vitacura Exhibition Hall ● ACTIVE

Curatorship: Sergio Parra
Art handler: Sergio Parraguez
Intervention: Wiki Pirela

Espoz 3150, -1 floor, of 080
Vitacura – Santiago, Chile

Thursday from 15.00 to 18.00 hrs.
Friday from 15.00 to 18.00 hrs.
Saturday from 11.00 to 14.00 hrs.

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Exhibition
Temporary Museum

In this temporary, knock-off, and transitory museum, instability reigns. The works exhibited here are rare pieces that trace their own trajectories and, together, form a system that challenges the categories we currently use to understand the world. Recently, a Chilean astronomer explained on television that what was most disconcerting about the interstellar comet 3I/Atlas was that “we don’t understand it.” Not because it was far away, but because it was unlike anything seen before. The strange, then, is not what is beyond our reach, but what does not yet fit into our systems of understanding.

That same concern shakes this museum, temporarily installed in the Il Posto exhibition room. The intervention on its walls creates a fictional architecture: doors, windows, surveillance cameras, spotlights, moldings, and wallpaper appear. Its cracks are exposed, and an institution that for centuries has been a colonial instrument appears as an unstable space, full of contradictions. Thus, the museum becomes both domestic and precarious.

From the beginning of the exhibition, the works present us with bodies in transformation: fluids, folds, and desires that prevent us from thinking of identity as something stable. A Mapuche ceremony appears on classic European iconography. There are invisible portraits that are activated when the phone flash is turned on, evoking 19th-century medical photographs showing women diagnosed with “hysteria.” Here, however, these figures regain movement and autonomy.

In this sense, there are no still works; they are all stirring something or lying in wait. However immobile they may seem, they are capable of creating movement and altering sleeping, settled forces. Perhaps that is why, in spanish, the adjective “temporary” (temporal) not only refers to the transitory, but also names the storm. The works gathered here behave like storms: they disrupt order, blur boundaries, and force us to reconsider what seemed stable. In their presence, the museum ceases to be a place of certainties and becomes one of questions.